sábado, 18 de fevereiro de 2012

THE SECRET LIFE OF MOVING IMAGES



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There is something quite calming about the devastation imagery populating nowadays mainstream film and T.V. series, alongside desolate places, and post-apocalyptic contexts, they concur to inform more and more the visual synthesis needed in order to relate with a vast audience.








 Perhaps we can find the roots to this, among the likes of Wim Wenders and the 70's and 80's film-making, where different motivations(war) allowed for a meditative yet deserted landscape to thrive.


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